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lundi 25 mai 2015

Touring displays Ferraris old and new at Villa d'Este

Touring displays Ferraris old and new at Villa d'EsteImage Credit: Carrozzeria Touring SuperleggeraImage Credit: Carrozzeria Touring SuperleggeraImage Credit: Carrozzeria Touring SuperleggeraImage Credit: Carrozzeria Touring SuperleggeraImage Credit: Carrozzeria Touring SuperleggeraMore PhotosHottest Cars and Trucks in AmericaMost Popular Cars By StateOur Picks For The Best $5,000 Used CarsCars That Depreciate FastestHistory's 10 Best Selling Cars Of All TimeWard's 10 Best Engines of 2015Noah Joseph

Arguably more than any other, Carrozzeria Touring Superleggera has long been a mainstay of the Concorso d'Eleganza Villa d'Este, and this year the coachbuilder chose to highlight its long history by showcasing two Ferraris: the first one it ever did and the most recent.

The latter is the Berlinetta Lusso which Touring showcased at this year's Geneva Motor Show. A more subtle and elegant take on the visually aggressive Ferrari F12 Berlinetta, the Berlinetta Lusso is rebodied in handcrafted aluminum and carbon fiber and will be offered in a strictly limited run of five examples.

The former, however, dates back a lot long than this past March. It's the 1948 Ferrari 166 MM Barchetta, one of the earliest Ferraris and the first (discounting the Auto Avio Costruzioni 815) that Touring was called on to clothe. The 166 Mille Miglia was the first car which Enzo Ferrari made in any serious numbers, but this particular show car wasn't just any example: this one was owned by Fiat chairman Gianni Agnelli.

It's a fitting display from the carrozzeria that won the Design Award with the Disco Volante just two years ago, displayed the Mini Superleggera concept last year and has been part of the Concorso since 1931. Sadly for the Milanese outfit, though, the Berlinetta Lusso didn't win the coveted prize this year: that went to the Bentley EXP 10 Speed Six, which also beat out the SCG 003C, Magna Mila Plus, Aston Martin DBX, Lamborghini Asterion and Zagato Mostro.


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#fivemin-widget-blogsmith-image-70049{display:none;} .cke_show_borders #fivemin-widget-blogsmith-image-70049, #postcontentcontainer #fivemin-widget-blogsmith-image-70049{width:100%;display:block;}Touring Superleggera Berlinetta Lusso | Autoblog Short CutsShow full PR textTHE FIRST AND LATEST FERRARI DRESSED BY TOURING PARADE AT CONCORSO D'ELEGANZA
VILLA D'ESTE 2015

- A rare opportunity to see on stage the acclaimed Touring Berlinetta Lusso and Gianni Agnelli's Ferrari 166MM Barchetta Touring.
- Touring Berlinetta Lusso competes for the Concept Cars and Prototypes Design Award.
- The magnificent Barchetta owned by l'Avvocato enters the "Gentlemen's racers" class after regaining its authentic shape at Touring Superleggera restoration atelier.

Touring Superleggera is embedded in the Concorso since the early editions, having debuted in 1931. The hall of fame includes, among many, the prizes assigned to Isotta Fraschini 8ASS spider, Alfa Romeo 6C 1750 Gran Sport Spider as well as Alfa Romeo 8C 2300 Spider Coupe, Pegaso Z102 Berlinetta "Thrill" and recently Alfa Romeo Disco Volante by Touring.

Touring believes the Concorso is the ideal stage to showcase innovative prototypes, give rise to new stylistic trends, surprise and amaze the selected attendance".

This year the Milanese coachbuilder celebrates with the Touring Berlinetta Lusso the legacy born in 1948 with the iconic Ferrari 166 MM Touring. Sharing the Villa d'Este lawns with Superleggera's latest F12-based fuoriserie is the first series-produced, Touring designed Ferrari, and not just anyone's. The 166 MM entering the Gentlemen's Racers class had Gianni Agnelli as first owner.

An evident red thread links the two Touring cars. Essentiality, elegance, polite power, the unmistakeable waistline edge springing from the front wheel arch: the uncountable qualities of the Ferrari 166MM Barchetta were source of inspiration for the Berlinetta Lusso.

The Berlinetta Lusso is a street legal two-seater coupe, hand-built in a limited series of five units. In the wake of its world premiere at 85th Geneva International Motor Show and the unconditioned appreciation of the audience the plant is starting production of the second unit.

Meanwhile, a subtle evolution appears on the first car. Its owner commissioned a new grille with embodied front lamps as a hint to another famous Lusso, the 250 GT. Head of Design Louis de Fabribeckers comments: «This is what bespoke really means at Touring. I worked on the customer's input and realized his idea was witty.»

Touring Berlinetta Lusso

The Touring Berlinetta Lusso is a street legal 2-seater coupe, fulfilment of the desire of a passionate Ferrari collector to have his own F12 dressed up. The tailor-made, lavish coupe in the purest spirit of Italian carrozzeria features a three-box architecture, a statement of luxury in itself. The Touring Berlinetta Lusso takes inspiration from the golden era of Italian fuoriserie with proportions we are not anymore used to.

The opulence is expressed by the apparent separation of volumes: a long bonnet evoking the powerful V12 engine, a cockpit resolutely designed for two, till its muscular rear hosting a discrete trunk for precious luggage.

There are evident Touring traits in the surface treatment, like the waistline edge springing from the front wheel arch and embracing the body till its muscular rear. This shape can only be reproduced through manual hand beating of aluminium sheets.

Chassis, engineering and production process

The Touring Berlinetta Lusso shares the F12berlinetta rolling chassis, whose outstanding mechanical, electrical and electronic equipment and powertrain are untouched.

Before any action in the building phase is taken Touring performs accurate investigations aimed at respecting or improving the original car's performance and quality and obtaining homologation.

A typical research involves FEM of the structural subsystems, while aerodynamics is assessed through Computational Fluid Dynamics with special attention paid to maintain the rear train downforce.

In addition, every single part including connections between chassis and body is CAD designed to guarantee quality and lack of vibrations.

Like any car manufacturer, a bill of materials and a detailed manufacturing cycle are filed together with parameters that indicate quality standards. Accurate surfacing and digitally controlled assembly tools are used for three-dimensional positioning of body parts, symmetry and gap measurement. This process allows matching surfaces and ensure less than 2mm tolerance in each single surface point of the finished car.

Aluminium and carbon fibre

Although Touring Superleggera gained recognition for mastering hand beaten aluminium, the bodywork combines aluminium and carbon fibre panels to save weight.

In the preliminary study, early consideration is devoted to the analysis of the ultimate materials in terms of weight reduction, stiffness, quality of surface and ease of repair in the event of damage.

Touring Superleggera chose carbon for the bonnet, front bumper, skirts, tailgate, front splitters and rear diffuser. The structure of the fibres is investigated to optimize the weight/stiffness ratio. For the best accuracy and quality, every element of CFRP is autoclave cured at 120° C, while the bonnet features special pre-preg and treatment to resist high temperature.

Aluminium panels are hand-beaten at Touring Superleggera using a 1:1 manufacturing buck made of epoxy replicating the zero-surface with offset equal to the panels' thickness.

Touring's engineers and artisans devote to each manufactured unit 5000+ hours of highly skilled work. The human touch and painstaking care of each detail will always mark the difference from series production.

The whole process is run in the Touring Superleggera atelier nearby Milan.

The Touring Berlinetta Lusso has received EU type-approval under the EU-Directive 2007/46 EC for small series.

TECHNICAL SPECIFICATIONS

Dimensions
Length: 4692 mm
Width: 2080 mm
Height: 1288 mm
Wheelbase: 2715 mm
Curb weight: 1645 kg Boot volume: 187 litres
Fuel tank capacity: 92 litres

Engine
Cylinders/ type: V12, 65°
Cubic capacity: 6262 cc
Nominal output: 545 Kw (740hp) 8250 rpm
Maximum torque: 690 Nm
Emission level: Euro 5

Fuel consumption, EU drive cycle
Urban: 22,5 l/ 100 km
Extra-urban: 11 l/ 100 km
Combinated: 15 l/ 100 km
CO2 emissions (combinated): 350 g/ km

Driveline
Rear wheel drive, 7-speed, electroactuated sequential gearbox with paddle-shift control and automatic mode.

Wheels
Tyres: Michelin Super Pilot front 255/35 ZR20 ; rear 315/35 ZR20
Wheel type: Aluminium forged wheels

Performance
Top speed (est.): 340 km/h
Acceleration (est.) 0-100 km/h: 3,1 sec


L'Avvocato and his Ferrari 166MM Barchetta Touring

Ferrari 166MM barchetta with VIN 0064M has a notable first owner in its history. It was delivered in August 1950 to Gianni Agnelli, also known as "L'Avvocato".

Enzo Ferrari approached Felice Bianchi Anderloni in March 1948 in search of a striking design for his first model destined to the street. He was already familiar with Touring's elegant pre-war bodies and had used a Touring coachwork on the AAC 815. Now Ferrari wanted to address customers who desired a luxurious and sporting car rather than a pure racing car.

The result was a masterpiece that left its mark on the history of automobile design, to the extent that a new name had to be forged to define it: barchetta, Italian for "tiny boat".

Already a fashion icon, Gianni Agnelli could not escape the halo of the newly introduced Touring design. In the purest spirit of tailor made he personally participated with his exquisite taste to the creation of his barchetta, dictating the graceful two-tone paint and the teardrop rear lamps that make this car one-of-a-kind.

This very special barchetta was later acquired by the Swaters family and guarded as a treasure for 46 years. After a rewarding racing career it was restored, but the then available techniques could not provide enough accuracy in the reconstruction of the front end.

Touring Superleggera was called to put in place a significant intervention to reshape the whole front and grille. It required an accurate research of historical images, access to original blueprints and 3-D scan of the car. The study led to CAD recreation of the authentic shapes and CNC milling of a purposely built model for validation and hand beating of the new body panels.

The car is now dressed up in the authentic lines and volumes that made Gianni Agnelli fall in love.

Coachbuilder in 2015

Touring Superleggera's credo to respond to an increasing need of distinctiveness, customization and exclusiveness coming from all over the world is "tailor made, hand made". Today, creativity is not enough to design and coach build beautiful body shapes: Touring Superleggera grants immediate feasibility beyond the limits of the large scale series-production allowing the design department to be free, obeying only to what the customers desire.

In order to be produced, even a fuoriserie needs to meet the standards for quality, safety and functionality of every other mass produced car. Actually, it shall exceed these terms aiming at excellence in every single detail, exuding quality in design, execution and materials.

This is nowadays possible thanks to state-of-the-art engineering techniques allowing accelerated design and test on parts, accessories and systems. Even the most skilled hands cannot perform at the level we require if not supported by computer technology, tooling and modern processes.

Touring Superleggera stands out in the industry landscape for its unique capability of completing the whole cycle from the initial sketches till the delivery of exclusive cars under the same roof. Exposed to the vibrant atmosphere of Milan, it epitomizes the design and luxury values of Made in Italy.

Touring Superleggera believes that coachbuilding adds great value to nowadays' automotive industry if it respects its rigorous needs and requirements.

The History of Touring Superleggera

Touring Superleggera is recognized worldwide as one of the iconic names in Italian car design and coachbuilding. Founded by Felice Bianchi Anderloni and Gaetano Ponzoni in 1926, the company started to produce custom built automotive bodywork with two distinctive features from the very beginning: sporting elegance and lightness.

Early customers were reputed car makers as Isotta Fraschini and Alfa Romeo. It would mark the start of a flamboyant period, also culminating in the "Flying Star" period with several spectacular spider coachworks

Touring Superleggera also gradually researched the streamlining process. The marriage between this, and their Superleggera construction system using aluminium body panels over a light but rigid tubular steel frame, resulted in some extremely elegant masterpieces such as the 1938 Alfa Romeo 8C2900 Touring spider, which today have become icons of automotive design and body construction.

In 1945, the excellent Carlo Felice Bianchi Anderloni joined his father at the company, which soon started to receive its first orders from Enzo Ferrari. The Ferrari Tipo 166 Touring Barchetta of 1948 formed a new milestone for light, elegant and effective design on a competition chassis.

Under Carlo Felice, Touring saw its industrial customer basis grow in the mainstream of the expanding automotive industry in Italy and Europe. A number of niche models were designed and built on Alfa Romeo 1900, Lancia Flaminia and Maserati 3500. Another new inspired car manufacturer from the Bologna area relied on Touring's skills: Lamborghini, that commissioned its first GT, the 350. In the same period Touring created another iconic automobile: the Aston Martin DB4, followed by the DB5 and 6, manufactured in Newport Pagnell with a license for the Superleggera bodywork system.

Since 2008, Carrozzeria Touring is an all-round supplier of automotive design, engineering and body manufacturing.

Design services range from style features body engineering, CAD feasibility studies, FEM/FES analysis, CFD/aerodynamic analysis, virtual crash test.

The manufacturing department provides style models, show cars, rolling concepts, street legal one-offs and limited production series. Recent models include the Bellagio Fastback based on Maserati Quattroporte and the concept two-seater A8GCS Berlinetta winner of the "Best Supercar of the Year" award in 2009.

They were followed by the acclaimed Bentley Continental Flying Star (2010), manufactured in limited run with the endorsement of Bentley Motors, and the Gumpert Tornante by Touring (2011), a superfast Grand Tourer commissioned by the excellent German sports car manufacturer.

In 2012 Touring celebrated a masterpiece from its rich heritage, taking inspiration from the Alfa C52 Disco Volante of sixty years before. The innovative, breathtaking Alfa Romeo Disco Volante, built by hand in a limited run of up to eight units, won the coveted Design Award at Concorso d'Eleganza Villa d'Este 2013.

In 2014 in collaboration with MINI, Touring Superleggera designed and built an elaborately crafted, unique concept car to explore new design languages for the iconic British brand. Exhibited at Villa d'Este as the BMW Group's annual design statement, the MINI Superleggera™ Vision blends the tradition of classic coachwork construction with the MINI's authentic British styling to create timeless aesthetic appeal.

This year the Touring Berlinetta Lusso won the public appreciation at the Geneva Motor Show.

The company aims at perpetuating the core values of Touring design: purity, integrity, proportions, simplicity, resulting in timeless sporty elegance.

Design, manufacturing and restoration activities are run in the company premises nearby Milan.Featured GalleryFerrari 166 MM Barchetta and Berniletta Lusso by Touring

samedi 23 mai 2015

BMW 3.0 CSL Hommage Debuts at Villa d'Este

BMW revealed the 3.0 CSL Hommage design concept at the Concorso d'Eleganza Villa d'Este today. The model pays tribute to the 3.0 CSL coupe from the 1970s, inheriting obvious design cues from its predecessor while maintaining a strong yet lighter body. 2015 Bmw 30 Csl Hommage Front Three Quarter 03

jeudi 21 mai 2015

Zagato to reveal new Maserati Mostro at Villa d'Este

Zagato to reveal new Maserati Mostro at Villa d'EsteMostroImage Credit: ZagatoMostroImage Credit: ZagatoMostroImage Credit: ZagatoMostroImage Credit: ZagatoMostroImage Credit: ZagatoMostroImage Credit: ZagatoMostroImage Credit: Zagato1932 Maserati V4Image Credit: ZagatoMaserati A6 1500 PanomaricaImage Credit: Zagato1954 Maserati A6G54 ZagatoImage Credit: Zagato1955 Maserati A6G54 SpiderImage Credit: Zagato1957 Maserati 450 S CoupeImage Credit: Zagato1959 Maserati A6G54 3500 GTZImage Credit: Zagato1984 Maserati Biturbo SpiderImage Credit: Zagato1988 Maserati KarifImage Credit: Zagato2007 Maserati GS ZagatoImage Credit: Zagato1932 Maserati V4 SportImage Credit: Zagato1934 Maserati 1100 Tipo 4CS Spider ZagatoImage Credit: Zagato1949 Maserati 1500 PanoramicaImage Credit: Zagato1955 Maserati A6GImage Credit: Zagato1956 Maserati A6G SpiderImage Credit: Zagato1957 Maserati 450 S "il Mostro"Image Credit: Zagato1984 Maserati Biturbo SpiderImage Credit: Zagato1988 Maserati KarifImage Credit: Zagato2007 Maserati GS ZagatoImage Credit: ZagatoMore PhotosMaserati Levante: Patent DrawingsMaserati Levante: Winter Testing Spy Shots50,000th Maserati at GrugliascoMaserati Alfieri Concept at 2014 LA Auto ShowMaserati Levante: Spy ShotsMaserati Alfieri Concept: Monterey 2014Noah Joseph

Zagato has a record of collaborating with some of Europe's finest automakers, but it's the storied past it shares with Maserati that the coachbuilder will be celebrating at the Concorso d'Eleganza Villa d'Este this summer. And that's where Zagato will reveal the Mostro, previewed here.

The coachbuilt custom pays tribute to the 1957 Maserati 450 S – known as "il Mostro" for its monstrous power. The Zagato-bodied coupe (one of its last designs not to use the Kamm tail) was commissioned and raced by Stirling Moss at Le Mans, and supposedly remained the most powerful front-engined racecar in the world into the 1990s.

This modern tribute is built around a carbon monocoque, with a dry-sump Maserati V8 mounted up front but between the axles for optimal weight distribution, driving a six-speed semi-automatic rear transaxle. The design comes from the same studio that gave us such recent creations as the Alfa Romeo TZ3 and Perana Z-One, and shares some similar design traits, but with quasi-pontoon front fenders capping the long nose and swept-back greenhouse.

In correspondence with Autoblog, Zagato confirms that the Mostro is designed for the track, but will be "ready for street homologation." The carrozzeria will build five examples before Maserati's current centenary year is over. Each has already been spoken for, though none are headed to customers in the US. Coachbuilders seldom reveal pricing for this type of project (particularly when they've all been pre-sold), but we're told that "none of Zagato's atelier cars exceed 1 million. As collectible cars, the value of a Zagato typically overcomes the purchasing price within a few years."

We'll look forward to seeing the finished product in full once it's ready. In the meantime you can view it – along with a brief pictorial history of the relationship between Maserati and Zagato – in the slideshow above and the details in the trio of texts below.

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Cernobbio, May 2015. The Mostro powered by Maserati is the latest creation of Zagato's current Iconic decade, a new tradition for the atelier that began at the end of coachbuilder's Neoclassical period (2000-2010) to celebrate the most iconic models of automotive history. Marking the delivery of the first customer car, Zagato will present the new Mostro as a world premiere at the Concorso d'Eleganza Villa d'Este.

ICONIC MODERN COLLECTIBLE CARS
In 2010, Andrea and Marella Zagato launched a project to celebrate 100 years of Alfa Romeo and it materialized into the Alfa Romeo TZ3 Corsa, a one-off, and then nine multiples of the TZ3 Stradale (road car) followed. Inspired by current trends in the automotive industry, these models initiated a new outflow of cars from the atelier, which has recognized some car models as icons on their own, at times bearing more importance than the marque itself. In the sector of collectible cars, this became the case for the Maserati "Monster" and "Birdcage"; Ferrari "GTO" and "Testarossa"; Alfa Romeo "8C" and "TZ", and the Aston Martin "DB4 Zagato" and "Vanquish". Among all of the mass-produced cars, this process also involved Fiat "500"; Volkswagen "Beetle" and "Golf"; Ford "Mustang" and GM "Corvette"; Porsche "911"; Dodge "Viper" and, perhaps also, for the Alfa Romeo "Giulia".

The Mostro celebrates the centenary of Maserati and one of the most iconic racing cars in the history of the Tridente: the Maserati 450 S Coupé Zagato "Monster", designed in 1957 with Frank Costin, a specialist in aerodynamics, and coachbuilt in Milan for the 24 Hours of Le Mans at the request of Stirling Moss.

Only five examples will be made and each has already been assigned to selected Zagato car collectors. Deliveries will be completed before December 2015, at the end of Maserati's anniversary year.

REPRESENTING THE PUREST OF THE GRAN TURISMO CARS
Exactly as the Maserati 450 S Coupé Zagato "Monster" was built for sport competitions and, subsequently, converted into a road car, the Mostro has been created from pure racing mechanics while also being road sanctioned. This philosophy, stemming from the late '40s, was the basis of the commercial success, both in sport and in style, for the Gran Turismo category. The cars from that period were produced with racing mechanics and also equipped with a luxurious interior that made them more comfortable for normal circulation. Zagato, since the '20s, has been the leader in coachbuilding sport coupés and spiders with two-doors. During the second half of the '50s, when the GT category had reached its height in popularity, the company founded in 1919 by Ugo Zagato was collaborating with all of the major European brands: Alfa Romeo, AC Cars, Aston Martin, Bristol, Ferrari, Fiat, Jaguar, Lancia, Maserati, OSCA, and Porsche.

FEATURES
The chassis of the Mostro is made of a MonoCell of carbon fiber coupled to a mid-structure of steel tubes in order to create the cockpit, as well as a subframe that sustains the fuel tank, exhaust system, rear suspension and gearbox. Made in Italy, the bodywork is entirely carbon fiber.

The central-front, V8 Maserati engine with dry-sump lubrication is equipped with a customizable, engine-management system. The engine is connected to the rear-positioned gearbox (a semi-automatic, six-speed transmission) and differential by a rigid tube (transaxle), which optimally distributes the weight of the car along the longitudinal axis. The front and rear suspension has a double wishbone architecture with a pushrod, spring/ shock absorber system. The Mostro is equipped with large disc brakes and 19" alloy wheels. Front and rear tires specifications: 255/40 R19 and 295/35 R19.

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Mostro powered by Maserati at the 2015 Concorso d'Eleganza Villa d'Este: Design

Cernobbio, May 2015. The Mostro, a coupé-body design on a sports car chassis, celebrates a rare icon of extreme performance belonging to an automotive era of great design and race engineering developments.

MASERATI 450 S ZAGATO "MONSTER": A MONSTROUS SPORT COUPE'
The Maserati 450 S Coupé Zagato "Monster" was, until the 90's, the most powerful frontengined race car in the world. At the 1957 24 Hours of Le Mans, amid a competition dominated by light, open-bodied barchettas, the 450 S Coupé Zagato was the only sports car with closed bodywork capable of competing for the final victory. Its futuristic shape (long nose, cockpit and round tail collectively designed to have a very compact volume) represented the most extreme and advanced concepts of aerodynamics at the time. Soon thereafter, Zagato started using the new aerodynamic concept of the truncated tail (or Coda Tronca) extensively, which had been introduced by Professor Wunibald Kamm.

The design of the 450 S Coupé Zagato "Monster", traced by Frank Costin and Zagato, aimed to achieve maximum aerodynamic efficiency for the long straight of Hunaudières at Circuit de la Sarthe, where it could take off using all 400 hp of Maserati's V8. Therefore, using Zagato's Milanese school of thought, the body of the 450 S Coupé was designed and stylized accordingly, technically-projected by function before aesthetic. The result was harmonious in both style and technique, though artistically "raw", and spontaneously executed by the carrozzeria's fast drawings on blank sheets of white paper and hand-beaten aluminum sheets modelled into a body.

THE MOSTRO: AN ETERNAL FORM
In order to maintain the integrity of the original Monster, pure and essential in design and organically created by a combustion of creativity and fresh ideas, the Zagato Atelier designers precisely outlined their creative process for the new Mostro in advance. The goal was not to create a second "monster" body, but rather implement the same instinctive philosophy and approach towards volume that is at once simple and spontaneous. Thus, Zagato Atelier decided to avoid stylizing the Mostro and simply created a form.

The final design of the Mostro is not nostalgic, but rather iconic. Starting from the 450 S Coupé, there were specific design elements more substantial than others that identified its classic design and timeless beauty, then and now, in order to obtain the best aerodynamic result for a modern race car.

THE MOSTRO: A DYNAMIC SCULPTURE
The proportions of the Mostro are similar to those of the 450 S Coupé Zagato: an enormous frontal part that houses the engine, centrally positioned with exceptional vicinity to the driver for optimal weight distribution. This creates a sensation that there is no division between the interior of the body and its small, rounded tail.

The large front fender, running along the entire length of the frontal part, disappears at the door and from there begins the line of the car's massive rear fender. These treatments of the car's volume allow significant stylistic purity to remain with the shape of the bodywork.

The body of the Mostro presents a few additional design characteristics:
- Fixed glass windows along the sides (determining a broad freedom in creating the shape of the door)
- Wide windshield (to increase visibility while widening and lowering the interior)
- Doors opening with a high, forward movement (a functional choice, dictated by the shape of the carbon fiber cell)
- Large rear fixed-wing (produces adequate downforce on the rear axle).

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Mostro powered by Maserati at the Concorso d'Eleganza Villa d'Este 2015: History

Cernobbio, May 2015. The Mostro was created as part of a long collaboration between the Milanese coachbuilder and the Tridente, and was born on the grounds of competition. The partnership between Ugo Zagato and the Maserati brothers originated in the 1930s with the Tipo 26M Sport and was then immediately directed by a specific philosophy: to dress Maserati mechanics with sportier, lightweight and more aerodynamic bodies.

MASERATI TIPO 26M SPORT 1931
The first Maseratis produced by the factory, from 1926 with the 8-cylinder Type 26, were almost exclusively racing cars. In this context, the meeting with Zagato, at the time an official partner of Alfa Romeo and official supplier of Scuderia Ferrari, was a milestone in the history of Maserati. The first model with a Zagato body was the Type 26M, produced between 1930-'32, and was also known as the 8C 2500. The first chassis, n. 2520, left the factory in December 1931 and was sent to the Carrozzeria Zagato in Milan, selected in order to become a "Sport" version at the request of the customer, a well-known attorney of the Milan court. Zagato's execution is evidence of the coachbuilder's capacity to dress racing mechanics (the letter "M" corresponded to a single-seater cockpit despite its capacity for two passengers; though closed with a metal tonneau, one was for the mechanic / navigator) with the facade of a handsome, two-seater road car, for its intentioned use on the racetrack or even concours d'elegance.

MASERATI TIPO 4CS 1100 1933
In the early 1930s, of all the great sports cars with eight-cylinder engines, Maserati was studying a smaller model to also compete in the lower categories but, above all, to aspire to a prestigious class victory in the Mille Miglia. The new Maserati 4CTR (4-cylinder "Testa Riportata"), 4CM (4- cylinder, single-seater) and 4CS (4-cylinder sport) were mounting small, twin-cam engines with variable power from 90 to 115 hp. Appearing for the first time in prototype form at the Mille Miglia in '31, this model went on to win its class the following year. During its production history, the first chassis to receive a Zagato body was n.1517, and was assembled in 1933. The tiny 1,100 cc motor with the now famous, lightweight Zagato body took part in various competitions, among them the 1936 Mille Miglia, where it finished tenth overall.

MASERATI V4 ZAGATO SPIDER 1934
The third Zagato Maserati model was born in 1934 and was another example of the typical functionalist perspective and approach in crafting Zagato bodies. It was a car born for racing that had the potential to combine technical sophistication with an elegant and balanced volume. The V4 was the first race car with a 16-cylinder engine in the history of motor racing. Developed as a single-seater for Grand Prix racing, the car debuted in Monza in 1929 with Alfieri Maserati. The V4 achieved the fastest average lap speed, freezing the record for 25 years. Two weeks following with the same car, Baconin Borzacchini, reached a new world record of 246 km/h during practice for the GP in Cremona.

Concluding its commitments to racing, the V4 remained with Maserati for some time until it was acquired by a client in Rome while he had been visiting the factory, who had asked for the car to be transformed for road use. Maserati entrusted Zagato with the realization of an elegant aluminum body that covered, without hiding, the car's sophisticated and cutting-edge mechanics. Painted in a charming, two-tone green livery, the new, elegant and ethereal V4 became a frequent guest of salons in Rome. In '34, the car won a major award at the Pincio Concorso d'Eleganza.

MASERATI A6 1500 COUPE' PANORAMICA 1947
In 1919, Ugo Zagato founded his carrozzeria bringing his expertise in aviation to what, at the time, was a new automotive sector. In the '20s, the lightweight, aircraft-inspired Zagato bodyworks imposed themselves leaders in competition. The innovative spirit of Zagato characterized the pioneering era of automobiles. Even during the Second World War, fleeing from the fury of conflict, Ugo Zagato continued his studies on aerodynamics. In the late '40s, this focus created a new form called Panoramica, which was inspired by aircraft cockpits and influenced the innovative use of Plexiglas to model state-of-the-art glass surfaces for maximum visibility. The Maserati A6 1500 was one of the first examples of this new experimental body: a breakthrough design and revolutionary form in every component that was also united by an innate and elegant class. So unique, only the classic Maserati front grill permitted this car recognition as a model of the Tridente.

A6G/54 MASERATI COUPE' 1954
With the end of the Second World War, Maserati began designing a chassis that could revive the brand, both in competition and on the road. This objective was entrusted to the A6 with a straight-6, 1500 cc engine, which Zagato also made into a Panoramica. The first evolution was introduced in 1950, the A6G, with an augmented two-liter engine and a range of two variations: the barchetta sport and GT coupé. In 1954, the climax in the development of the model arrived, the A6G/54, and it was designed with a new personality geared towards Gran Turismo racing. At the Turin Motor Show in 1954, Zagato introduced its own version, which was the most extreme and fascinating of all the proposals of the Italian car. Now considered one of the best examples of Italian Gran Turismo and a symbol of the era, the A6G/54 competed successfully within its category. The A6G/54 raced successfully during the same period of time and within the same category of racing as Elio Zagato, who was a leading promotor and influential figure of Gran Turismo.

Until 1957, approximately 60 examples of the A6G/54 had been built. Of these, 20 models were coachbuilt by Zagato, each one unique through personalized details.

MASERATI A6G/54 SPIDER 1955
At the 1955 Geneva Motor Show, Maserati introduced an important varation of the A6G/54 coupé and had entrusted the specialists at Zagato with this task. In complete contrast to the deliberately spartan and essential character of Zagato, the Milanese coachbuilder created a handsome spider body to dress the frame of n.2101. This variation underlined Zagato's eclectic spirit, and demonstrated its consistent capability in appling functionalist and rationalist style to create an elegant form. The car was spotted by Juan Peron, then president of Argentina as well as husband of the legendary Evita. As a great motor enthusiast and admirer of Juan Manuel Fangio, the president agreed to purchase the car, though eventually was forced to cancel his purchase because of a political crisis in Argentina. Used for promotional events, the A6G/54 Spider was eventually purchased by an American in 1958.

MASERATI 450 S COUPE' ZAGATO "MONSTER" 1957
The Maserati 450 S, built for the 1957 World Sportscar Championship, represented the highest point of Maserati's official dedication to competition. In the midst of the exciting season in which the brand fought to the end for their victory, the 24 Hours of Le Mans represented, along with the Mille Miglia, a kind of moral triumph for the whole Championship. Maserati commissioned Zagato to build a coupé body for chassis n.4501. This decision was the result of the pressing demands of Stirling Moss. Likely, it was also he who asked Frank Costin, an expert in aerodynamics, to collaborate with Zagato on the model.

Zagato, working while instructed by the English technician, built a lightweight, aluminum body in record time, obtaining an extraordinary result in terms of weight. With respect to the barchetta, the coupé weighed only 65 kg more. That special form was created, through rigorous design decisions based on functionality, and the power of an 8-cylinder, 4.5 liter, 400 hp engine, contributed to the car's eloquent nickname: the "Monster."

Moss, who was paired with Harry Schell at Le Mans, became the protagonist of an extraordinary battle against Ferrari and Jaguar. The 450 S Coupé Zagato, despite starting from second position, managed to take the lead within a few laps, thanks to its favorable characteristics: a very low weight and an incredibile capacity for speed of 320 km/h. The car remained in command until the beginning of the night when only an engine failure interrupted the extraordinary showdown. Though returned to the factory, it was bought by an American named Byron Staver the following year and turned into a road car. He decided to repaint it from rosso corsa, typical of Italian cars, to a more elegant and minimalist black.

MASERATI 3500 GTZ 1959
For Maserati, the year 1957 was a year of radical change. At the end of the World Manufacturer's Championship, the company declared that it would not renew the commitment for the following year (though it would continue to support private customers and the development of new racing cars). On the production side of the road models, the revolution had already begun in the previous months. At the Geneva Motor Show in March, Maserati debuted the 3500 GT, a coupé more comfort-oriented, luxurious and better finished. A sketch of a Zagato version was presented as part of the manufacturer's stand and it had also been included in the official catalog that year for the range. The 3500 GTZ, traditionally sportier than other variations, was strongly in line with the origins of the Maserati brand. Those times, however, were long gone as the Orsi family had already started building Maserati from sport to sports luxury, which today has made it one of the most respected brands in the world.

The 3500 GTZ's simple and pure sports body was later chosen in 1959 to dress the chassis of an A6G/54 (n.2155) after an accident.

THE 60S: ZAGATO AND THE MASERATI BROTHERS FOR OSCA
In 1948, the Maserati brothers surrendered their stake in the business to the Orsi family (having entered as shareholders in 1937 when Orsi bought the company) and founded a new company for themselves called Officina Specializzata Costruzioni Automobili (OSCA). Zagato maintained a strong relationship with the Maserati brothers based on their common philosophies oriented towards racing cars, and so collaborations continued with OSCA. In 1951, the Milanese coachbuilder made a coupé body for the third of a triptych of competition chassis (the first two made as single-seaters) that was equipped with a 12-cylinder, 4.5 liter engine. In 1960, the small Bologna-based company, having grown in fame and authority in the category of sports cars, commissioned Zagato to make a limited-series of a GT coupé. The first model traced by Ercole Spada, the Osca 1600 GT Zagato became one of sportiest, most fascinating of its era, fast on the road and competitive in racing.

MASERATI BITURBO SPYDER 1984
In the late 50s, the activities of Carrozzeria Zagato reached a semi-industrial size. The official collaboration with renowned sports brands of the period pushed the company to move, in 1961, from Milan to a larger production site in Arese, near to where the future headquarters of Alfa Romeo would be built. In this plant, the company began its production of fuoriserie road and racing cars at ever-increasing rates to meet industry demand.

In 1984, the collaboration with Maserati resumed at full speed. Alejandro De Tomaso, enchanted by the one-off A6G/54 Spider, awarded Elio and Gianni Zagato the task of creating the design and production of the Biturbo Spyder.

Distinguished by a shorter wheelbase of 11 centimeters, compared to the "closed" version (that was adjusted in order to strengthen the chassis and harmonize it with the body), the Birturbo Spyder retained the same six-cylinder, two-liter, twin-turbo engine. Stylistically, it was characterized by a fabric roof that, once lowered, disappeared into a special compartment created by the new design of the rear. In 1989, the model evolved with a new version equipped with a more powerful, 2.8-liter engine. In the same period, the commercial push also launched in the American market, where it was sold with a 2.5-liter engine and catalytic converter. In total, production reached nearly 7,000 units.

MASERATI KARIF 1988
One of the most distinctive features of the 80's was the phenomenon of an 'Instant Classic' automobile. A few current production cars were included in this exclusive club of prestige models and were identified immediately as collectibles. Zagato, consistent since the beginning under the philosophy outlined by the founder (two-door, two-seater sports cars, bodied as coupés or spiders) lended great impetus to the Instant Classic niche with various designs in limited series.

In 1988, along with the Biturbo Spyder, Maserati entrusted Zagato with the job of creating of a special version. The Karif was a coupé developed on the chassis of the Spyder, though shorter and stronger than the Biturbo, and was distinguished by its small, fixed hard-top. This two-door, slim lightweight, capable of 280 hp (225 hp on U.S. model) was produced in just over 200 units. In the same period, Zagato was assembling the four-seater, coupé version for Maserati named 228.

MASERATI GS ZAGATO 2007
In 2007, at the request of Maserati's CEO Karl-Heinz Kalbfell, Zagato prepared a V-Max Concept (prototype prepared and capable of reaching its maximum speed) as a preview of an imminent, limited series. The Maserati GS Zagato, which had been presented at the Concorso d'Eleganza Villa d'Este, celebrated the A6G/54 Coupé Zagato. To create this model, the Milanese atelier had chosen the mechanics of the Spyder 4.2 with a shorter wheelbase of 180 mm, with respect to the coupé, in the same way that had been done for the Karif. Born in the Neoclassic automotive era, which was developed by Zagato in the first decade of the New Millennium, the GS Zagato was designed through virtual reality modeling and handmade with sheets of aluminum on a master model (on a scale of 1:1). This is the approach of a modern atelier, using the latest design technology and expert craftmanship for the process of construction. The change in Maserati's management prevented the production of this model, which would have married the performance of Ferrari's eight cylinders to a lightweight, short-wheelbase and compact body in the best tradition of the two brands.Featured GalleryMaserati Mostro by ZagatoMaserati Mostro by Zagato garage sideMaserati Mostro by Zagato garage rear 3/4Maserati Mostro by Zagato interior seatsMaserati Mostro by Zagato rendering side topMaserati Mostro by Zagato rendering top rear 3/4Maserati Mostro by Zagato drawingMaserati Mostro by Zagato design rendering front side 3/41932 Maserati V4

jeudi 14 mai 2015

The BMW 3.0 CSL Hommage brings a touch of 1972 to Villa d’Este

Lime-green concept will sport classic touches inside and out

BMW will pay tribute to the classic 3.0 CSL coupe of the 1970s with the BMW 3.0 CSL Hommage. It’s set to debut at the 2015 Concorso d’Eleganza Villa d’ Este on the shores of Lake Como, Italy. There, slathered in electric-green paint, the Hommage will share the grounds with a selection of classic Bimmers -- plus some of the finest and most expensive vintage automotive machinery in the world.

A homologation special built to make the car eligible for racing in the European Touring Car Championship, the original 3.0 CSL was introduced in 1972. Despite the signature boxy rear wing, he “L” stands for “light” -- not “long.” To make it an on-track contender, BMW used thinner steel on the body, deleted soundproofing and used aluminum alloy doors, hood and roof.

In ’73, driver Toine Hezemans won the Euro Touring Car Championship in a CSL and drove one to a class victory at Le Mans. It was also driven by famed hotshoes Hans-Joachim Stuck and Chris Amon later in the 1970s. So you can see why the CSL is a special car.

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The first BMW art car -- a 1975 3.0 CSL wearing a paint job designed by Alexander Calder -- headlined a class of significant cars from the German automaker at the 2014 Amelia Island Concours ...

This CSL tribute takes inspiration from the earlier racer but uses modern materials and underpinnings; BMW says it “exudes sheer dynamics,” whatever that means. We’re not sure what’s lurking under the Hommage’s carbon fiber, but an M235i wouldn’t be a bad place to start. Whatever it is, it gets bigger wheel arches and a prominent spoiler that outline the flying-buttress fenders.

This year’s Concorso takes place May 23-24, and tickets are still available. A single ticket for Saturday is 9 euros ($10). Sunday will cost you 15 euros ($17). Plane tickets to Italy are considerably more expensive.

This edition of the Concorso will pay special attention to pre-war coachbuilt cars, pre-war sports cars and all forms of the Rolls-Royce Phantom, among others. Go to concorsodeleganzavilladeste.com for more information.

mardi 12 mai 2015

The BMW 3.0 CSL Hommage brings a touch of 1972 to Villa d’Este

أخضر ليموني مفهوم سوف الرياضة اللمسات الكلاسيكية داخل وخارج

سوف نحيي كوبية الشركة 3.0 الكلاسيكية في السبعينات مع Hommage الشركة 3.0 بي أم دبليو بي أم دبليو. وقد وضعت لأول مرة في d'Eleganza جائزة عام 2015 فيلا d ' إستي على ضفاف بحيرة كومو، إيطاليا. هناك، سلاثيريد في الطلاء الكهربائي-الأخضر، التكريم وسوف حصة في الحديقة مع مجموعة مختارة بيميرس الكلاسيكية-بالإضافة إلى بعض المعدات السيارات خمر أجود وأغلى في العالم.

وقدم للتﻻقي خاص بنيت لجعل السيارة المؤهلة للسباقات في "بطولة السيارات الأوروبية"، الشركة 3.0 الأصلي في عام 1972. وعلى الرغم من أن الجناح الخلفي يشبه الصندوق التوقيع، أنه "L" تقف على "الضوء"-لا "منذ فترة طويلة." إلى جعله المتنافسين على المسار الصحيح، بي أم دبليو تستخدم الفولاذ أرق على الجسم وحذف عازل للصوت واستخدام أبواب سبائك الألومنيوم، وغطاء محرك السيارة والسقف.

في 73، فاز سائق هيزيمانس قام "بطولة اليورو السيارات" في الشركة، وقاد أحد إلى انتصار فئة في لومان. وكان يقودها أيضا hotshoes الشهير هانز Joachim عالقة وآمون Chris لاحقاً في السبعينات. حيث يمكنك أن ترى لماذا الشركة سيارة خاصة.

سيارات "أخبار بي أم دبليو" تعرض سيارة الفن كالدر والمتسابقين والكلاسيكية في جزيرة إميليا

سيارة بي أم دبليو الفن الأول-عام 1975 الشركة 3.0 يرتدي وظيفة طلاء الذي صممه ألكسندر كالدر-تحت عنوان فئة السيارات الكبيرة من السيارات الألمانية في "المناظرات جزيرة إميليا" 2014...

هذا تكريم الشركة يأخذ الإلهام من متسابق سابق ولكن يستخدم المواد الحديثة والأسس؛ بي أم دبليو وتقول أنها "ينضح ديناميات محض،" أيا كان ذلك يعني. نحن لسنا متأكدين ما هو الكامنة تحت ألياف الكربون التكريم، ولكن لن يكون M235i مكاناً سيئاً لبدء. ومهما كان، فإنه يحصل أكبر عجلة الأقواس والمفسد بارزة مخطط تفصيلي للمصدات الطائر-دعم.

جائزة هذا العام يأخذ مكان 23-24 أيار/مايو، وتذاكر السفر لا تزال متاحة. تذكرة واحدة للسبت 9 يورو (10 دولار). يوم الأحد وسوف يكلفك 15 يورو (17 دولار). تذاكر الطائرة إلى إيطاليا أكثر تكلفة بكثير.

هذه الطبعة جائزة ستولي اهتماما خاصا فترة ما قبل الحرب كواتشبويلت السيارات والسيارات الرياضية قبل الحرب وجميع أشكال "فانتوم رولز رويس"، بين أمور أخرى. انتقل إلى concorsodeleganzavilladeste.com لمزيد من المعلومات.

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